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SDG

Waken! Christian children, Christmas carol.

SDG

0:44	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Manual I		8	0	1	3	100%
Manual II		6	0	0	4	100%
View all 5 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Manual I		8	0	1	3	100%
Manual II		6	0	0	4	100%
Pedal		12	0	2	5	100%
S A		8	0	1	3	67%
T B		14	0	2	3	67%

Wilhelmus van Nassouwe. Dutch national anthem. Nederlands volkslied. 2nd oldest national anthem in the world.

SDG

1:04	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		11	0	0	4	100%
		11	0	0	4	100%
View all 20 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		11	0	0	4	100%
		11	0	0	4	100%
		14	0	1	4	100%
		14	0	1	4	100%
Organ		11	0	0	4	100%
		9	0	1	4	50%
		14	0	1	4	100%
C Trumpet		9	0	0	4	100%
English Horn		9	0	0	4	100%
Flute		9	0	0	4	100%
Oboe		9	0	0	4	100%
Soprano/Alto		11	0	0	4	100%
Tenor/Bass		14	0	1	4	100%
Violin		9	0	0	4	100%
Contrabass		9	0	1	4	50%
Viola		7	0	0	4	50%
Violoncello		9	0	1	4	50%
Soprano		2	0	0	1	10%
		2	0	0	1	10%
		2	0	0	1	10%

Jesus hat mich frei gemacht. Arrangement: Gertim

SDG

0:49	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	0	0	4	100%
Tenor/Bass		16	0	2	4	100%
Contrabass		14	0	1	3	52%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	0	0	4	100%
Tenor/Bass		16	0	2	4	100%
Contrabass		14	0	1	3	52%

338. Was Gott thut, das ist wohl gethan. J.S. Bach, BWV 144-3.

SDG

0:51	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	1	4	100%
		12	0	1	4	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		12	0	1	4	100%
		12	0	1	4	100%
		14	0	1	4	100%
		14	0	1	4	100%
Soprano/Alto		12	0	1	4	100%
Tenor/Bass		14	0	1	4	100%
Contrabass		9	0	1	3	50%

23. Gib dich zufrieden und sei stille. Schemelli. Inner voices: Gertim. BWV 512.

SDG

0:55	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		18	0	3	5	100%
Tenor/Bass		13	0	1	5	100%
Contrabass		13	0	1	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		18	0	3	5	100%
Tenor/Bass		13	0	1	5	100%
Contrabass		13	0	1	3	50%

52. Da der Herr Christ zu Tische sass. BWV 285. Johann Sebastian Bach

SDG

0:41	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	4	100%
Tenor/Bass		18	0	3	5	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		14	0	3	4	100%
Tenor/Bass		18	0	3	5	100%
Contrabass		13	0	1	5	50%
Tenor		3	0	0	2	8%

Het is volbracht! (variant III). Own composition.

SDG

0:45	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Stem		17	0	3	3	100%
		17	0	2	3	100%
Contrabass		12	0	1	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Stem		17	0	3	3	100%
		17	0	2	3	100%
Contrabass		12	0	1	3	50%

74. Ein' feste Burg ist unser Gott. J.S. Bach. Luther. B.A. 39. No 49. BWV 302.

SDG

0:59	Est. Play Time
14	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	4	100%
		13	0	2	4	100%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		13	0	2	4	100%
		13	0	2	4	100%
		18	0	3	5	100%
		18	0	3	5	100%
Soprano/Alto		13	0	2	4	100%
Tenor/Bass		18	0	3	5	100%
Contrabass		14	0	1	3	50%

53. Danket dem Herren, denn er ist sehr freundlich. BWV 286.

SDG

0:18	Est. Play Time
7	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		10	0	2	4	100%
Tenor/Bass		17	0	3	6	100%
Contrabass		10	0	1	4	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		10	0	2	4	100%
Tenor/Bass		17	0	3	6	100%
Contrabass		10	0	1	4	50%

13. Allein Gott in der Höh' sei Ehr', BWV 104.6. Cantate 104. Du Hirte Israel, höre.

SDG

0:55	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		11	0	1	3	100%
		11	0	1	3	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		11	0	1	3	100%
		11	0	1	3	100%
		16	0	2	4	100%
		16	0	2	4	100%
Soprano/Alto		11	0	1	3	100%
Tenor/Bass		16	0	2	4	100%
Oboe		8	0	1	4	85%
Contrabass		10	0	1	2	50%

20. Als der gütige Gott, BWV 264, Johann Sebastian Bach

SDG

0:30	Est. Play Time
11	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		9	0	0	6	100%
Tenor/Bass		16	0	2	7	100%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		9	0	0	6	100%
Tenor/Bass		16	0	2	7	100%
Contrabass		10	0	1	5	50%
Alto		3	0	0	4	18%

339. Was Gott thut, das ist wohlgethan. BWV 250.

SDG

0:50	Est. Play Time
12	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
extra Soprano		9	0	1	4	100%
extra Tenor		10	0	1	2	100%
View all 8 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
extra Soprano		9	0	1	4	100%
extra Tenor		10	0	1	2	100%
Soprano/Alto		15	0	3	4	100%
Tenor/Bass		17	0	2	4	100%
Horn in F		10	0	1	4	97%
extra Bass		12	0	1	3	55%
Contrabass		11	0	1	3	50%
extra Alto		11	0	2	3	50%

" 'k Wil wel misschien vertrouwen op hem van Duitse bloed". Parodie op het Wilhelmus (zelfde melodie). Voor de overige coupletten (ook parodie) klik op: 'Show more' (beginletters vormen, net als bij het origineel, ook Willem van Nazzov).

SDG

1:04	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		11	0	0	4	100%
		11	0	0	4	100%
View all 20 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Voice		11	0	0	4	100%
		11	0	0	4	100%
		14	0	1	4	100%
		14	0	1	4	100%
Organ		11	0	0	4	100%
		9	0	1	4	50%
		14	0	1	4	100%
C Trumpet		9	0	0	4	100%
English Horn		9	0	0	4	100%
Flute		9	0	0	4	100%
Oboe		9	0	0	4	100%
Soprano/Alto		11	0	0	4	100%
Tenor/Bass		14	0	1	4	100%
Violin		9	0	0	4	100%
Contrabass		9	0	1	4	50%
Viola		7	0	0	4	50%
Violoncello		9	0	1	4	50%
Soprano		2	0	0	1	10%
		2	0	0	1	10%
		2	0	0	1	10%

118. Gottlob, es geht nunmehr zu Ende. BWV 321.

SDG

0:58	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	0	1	5	100%
Tenor/Bass		17	0	1	6	100%
Contrabass		11	0	1	3	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		11	0	1	5	100%
Tenor/Bass		17	0	1	6	100%
Contrabass		11	0	1	3	50%

115. Gottes Sohn ist kommen. BWV 318.

SDG

0:44	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		18	0	3	5	100%
Tenor/Bass		15	0	2	5	100%
Contrabass		11	0	1	4	50%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		18	0	3	5	100%
Tenor/Bass		15	0	2	5	100%
Contrabass		11	0	1	4	50%

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